PERFECTLY GOOD GUITAR is John Hiatt's finest album of the '90s. The title track, which got quite a bit of airplay on 1993's then nascent adult album alternative radio format, is one of his most brilliant songs ever. It's a funny yet deceptively serious song examining the correlation between the way rock stars name their guitars after women, and the way they ritualistically destroy guitars onstage. The fact that it also has the best, catchiest chorus of Hiatt's career doesn't hurt, either.